| The Fall of the Roman Empire | |
|---|---|
Original film poster |
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| Directed by | Anthony Mann |
| Produced by | Samuel Bronston Jaime Prades (associate) Michal Waszynski (associate) |
| Written by | Ben Barzman Basilio Franchina Philip Yordan |
| Starring | Sophia Loren Stephen Boyd Alec Guinness James Mason Christopher Plummer Mel Ferrer Omar Sharif Finlay Currie |
| Music by | Dimitri Tiomkin |
| Cinematography | Robert Krasker |
| Editing by | Robert Lawrence |
| Studio | Bronston Productions Rank Organization |
| Distributed by | Paramount Pictures |
| Release date(s) | 26 March 1964 |
| Running time | 188 minutes |
| Country | United States |
| Language | English |
| Budget | $20 million |
The Fall of the Roman Empire is a 1964 English-language epic film produced by Samuel Bronston Productions and the Rank Organisation, and released by Paramount Pictures. It was directed by Anthony Mann and produced by Samuel Bronston with Jaime Prades and Michal Waszynski as associate producers. The screenplay was by Ben Barzman, Basilio Franchina and Philip Yordan. It was photographed in 70mm Ultra Panavision by Robert Krasker, with an original music score by Dimitri Tiomkin. The historian Will Durant was engaged to advise on period detail and plot. The 2000 film Gladiator was not a formal 'remake' but has many points of contact with this movie.
The film starred Sophia Loren (Lucilla), Stephen Boyd (Livius), Alec Guinness (Marcus Aurelius), James Mason (Timonides), Christopher Plummer (Commodus), Mel Ferrer (Cleander) and Omar Sharif (Sohaemus, King of Armenia) with Finlay Currie (Caecina), Anthony Quayle (Verulus), John Ireland (Ballomar), Eric Porter (Julianus), Andrew Keir (Polybius), Douglas Wilmer (Niger) and George Murcell (Victorinus).
The film was a financial failure at the box-office. However, it is considered unusually intelligent and thoughtful for a film of the contemporary sword and sandal genre and also enjoys a 100% "Fresh" rating at Rotten Tomatoes.
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The timeframe of the film is AD 180–192, from the last days of the Roman Emperor Marcus Aurelius to the death of his son and successor Commodus. The film opens with Marcus Aurelius conducting his war to pacify the Germanic tribes along the Danube frontier. He has just summoned the governors of all the Roman provinces to his camp in order to present to them Gaius Metellus Livius (a fictional character) as his heir and successor. This is conceivable because Livius indicates that he had been brought into the imperial family by the emperor, presumably by adoption, and the four previous emperors (Nerva, Trajan, Hadrian and Antoninus Pius) had made their adopted sons their heirs.
What is foremost in Livius' mind is to marry his beloved Lucilla, the emperor's daughter, but Marcus Aurelius feels he must marry her to King Sohaemus of Armenia to cement a peace treaty between him and Rome as a buffer on Rome's eastern border to the hostile Persians (Parthians). Livius appeals to her to go away with him, but her duty overrules her heart.
Commodus is devastated when he learns of his father's intention to make Livius his successor. This makes Commodus reckless and hostile toward Livius, who had once been a close friend. Later Commodus would explain that this was his way of letting the gods decide who would be successor. Conspirators, acting independently of Commodus, poison Marcus Aurelius, leaving Livius with only one choice: to proclaim Commodus as "undoubted Caesar." Commodus gratefully makes Livius commander of all Roman armies and his second-in-command.
Commodus begins his reign by opposing Marcus Aurelius' policy of peace and freedom, which he characterizes as weakness, and demanding more taxes and tribute from the eastern provinces of Syria and Egypt, driving them to rebellion. Meanwhile Livius pacifies the northern frontier by following Marcus Aurelius' policy of making "human frontiers" for the Roman Empire. He and Timonides, a Greek Christian freedman and friend of Marcus Aurelius, return to Rome along with the conquered German leaders (Ballomar, et al.) with the proposal to Romanize and settle them on abandoned farm land. This proposal is accepted by the Roman Senate, but it sets Livius at odds with Commodus, who all but banishes him to continued duty on the northern frontier. When Commodus is faced with the defection of the eastern provinces and Armenia, he has no one but Livius to turn to. Livius proves to be successful against the eastern rebellion, but he declines following Commodus' demand for brutal retribution. Livius answers Commodus with the demand for either a new Rome or a new Caesar.
Commodus reacts by bribing the senators, plebians, and the army to side with him against Livius. Commodus's success is apparent when the traditional head for the colossal statue of Jupiter in the Capitoline temple is replaced with a likeness of the head of Commodus, and in the senate it is proposed to change Rome's name to "the city of Commodus" and the empire's name to "the empire of Commodus." Livius is arrested and is set to be executed with Lucilla, who had tried to assassinate her brother. Commodus returns Livius' favor to him in proclaiming him undoubted Caesar by challenging him to a gladiatorial combat with the imperial throne as the prize. Livius prevails by killing Commodus and rescuing Lucilla from the flames of execution. Victorinus, who had been bribed by Commodus to deliver Livius's army to him, proclaims Livius Caesar, but Livius declines with the warning that if he were Caesar he would crucify them all (Victorinus, Julianus, Niger, et al.). The film culminates in an auction for the imperial throne. The narrator sums it up: "This was the beginning of the fall of the Roman Empire. A great civilization is not conquered from without until it has destroyed itself from within."[1] This actually occurred in the accession of Didius Julianus.
The plot of The Fall of the Roman Empire' is a fictionalization of historical trends, events and personages of the Roman Empire from AD 180 to 192, the period in which the Roman Empire's western half entered into decline , ultimately falling in AD 476. In the film, Marcus Aurelius named his adopted son as heir, continuing the tradition of naming adopted children which had survived since Nerva (AD 96–98).
Following a plausible interpretation of the historical records, Commodus is depicted as over-compensating for emotional vulnerability and soon descending into instability and corruption. The irony is in Commodus's directive that the empire should "forget the weakness of my father" with its implication that he would be a strong leader: it is Commodus' army of gladiators that proves to be cowards on the field with the German barbarians and Commodus' harsh policy toward the eastern provinces that had the tendency of weakening the empire by the threatened loss of the east. His father's true ideological heir, Livius, conquers both the Germans and Parthians as well as Commodus himself. In the film Livius is given the epithets "Germanicus" and "Parthius" and is invited to be emperor after the death of Commodus.
The death of Marcus Aurelius is portrayed as the result of a conspiracy to poison him, which was rumoured at the time. Commodus's liking for gladiators and for fighting as a gladiator himself is historically accurate: it led to rumours that he was actually the bastard son of a gladiator who had been the lover of Marcus Aurelius's wife Faustina. In the film, Commodus's gladiatorial trainer and comrade, Verulus (Anthony Quayle), is his real father. This impresses upon Commodus that he is a bastard who never should have been emperor. In a fit of madness he commits patricide.
Commodus' sister Lucilla's opposition to his rule is also historical: she was executed for attempting to assassinate him. Her political marriage to the King of Armenia and the survival of her brother are not historically accurate.
The "Battle of the Four Armies" of loyalist and renegade Roman legions against Armenians and Persians is not a historical event. The Sassanid Persian empire did not exist at this time (they are standing in for the historical Parthians).
Toward the end of the film Julianus and other senators are shown attempting to bribe the military into making one of them emperor while Commodus and Livius are fighting below them. This makes use of the historical events three months after Commodus's death (he actually died by poisoning and/or strangulation) when Didius Julianus bribed the Praetorian Guard to proclaim him Emperor, outbidding his rival Claudius Pompeianus – a character not shown in the film, though it was he, not a King of Armenia, who actually married Lucilla.
A number of the film's minor characters approximate historical personages: Commodus's corrupt chamberlain Cleander (represented in the film as a blind man), his courtier Niger (who may be identified with Pescennius Niger a rival claimant with Didius Julianus to the imperial throne), and Livius's comrade Victorinus (probably based on the general of the period named Aufidius Victorinus). Other characters of similar political and social standing appear to be completely fictitious.
It is believed that though the film was highly spectacular and considered intelligently scripted, its failure was partly attributable to what was considered the wooden performance of Stephen Boyd as the loyal general Livius (a fictitious character). In contrast, the performance of Christopher Plummer as the unstable Commodus was considered highly charismatic. As a fledgling motion picture performer—The Fall of the Roman Empire was only his third appearance on film—he began to emerge as a major Hollywood star.
The part of Marcus Aurelius was considered to be well portrayed by Alec Guinness, notably in a long soliloquy that was largely quotations from the emperor's own philosophical work The Meditations. The composer Dimitri Tiomkin said he found it impossible to write any music for this soliloquy.
The Fall of the Roman Empire was one of Samuel Bronston's superproductions in Spain, with Marcus Aurelius's winter camp on the Danube shot in snow in the Sierra de Guadarrama, northern Madrid. The 'Battle of the Four Armies' involved 8,000 soldiers including 1,200 cavalry and was shot on an undulating plain at Manzanares el Real which allowed large numbers of soldiers to be visible over a long distance.
The film's reconstruction of the Roman Forum at Las Matas near Madrid, at 400 x 230 meters (1312 x 754 feet) holds the record for the largest outdoor film set. The various ancient Rome settings covered 55 acres (220,000 m2).
The Fall of the Roman Empire was a costly financial failure for producer Samuel Bronston who, after making such epics as John Paul Jones (1959), King of Kings (1961), El Cid (1961), and 55 Days at Peking (1963) had to stop all business activities. A bankruptcy notice in the New York Times on 6 August 1965, stated the cost of The Fall of the Roman Empire at $18,436,625. He announced his return with a planned epic about Isabella of Spain, but the film was never made.
The Fall of the Roman Empire was one of the few Ultra Panavision 70 films not exhibited in Cinerama.
In later years, Miramax would acquire the US distribution rights to the film. After the founders Bob and Harvey Weinstein split with Miramax parent Disney, they formed the Weinstein Company, who currently owns US distribution rights.
UK distribution rights would pass to PolyGram Filmed Entertainment and subsequently Universal Studios.
Dimitri Tiomkin's score, which is one of the notable features of the film, is more than 150 minutes in length. It is scored for a large orchestra, including an important part for cathedral organ. Several cues are extended compositions in their own right. These include Pax Romana in which Marcus Aurelius summons the governors of all the Roman provinces. Although Christopher Palmer stated in his book on film music, The Composer in Hollywood, that it was a march, the cue is actually in the style of a bolero. Other notable cues include those for The Roman Forum, composed to accompany Commodus's triumphal return to Rome as the newly-installed Emperor; a percussive scherzo for a barbarian attack by Ballomar's army; the Tarantella danced by the Roman mob on the evening presaging the gladiatorial combat between Livius and Commodus (which seems to be modelled on the Tarantella movement from the Piano Concerto of Tiomkin's teacher Ferruccio Busoni). The score was recorded by the Sinfonia of London (uncredited) at Shepperton Studios. The music editor was George Korngold, son of Erich Wolfgang Korngold. A sound track album was released by Columbia Records to coincide with the release of the film.
| Actor | Role |
|---|---|
| Sophia Loren | Lucilla |
| Stephen Boyd | Livius |
| Alec Guinness | Marcus Aurelius |
| James Mason | Timonides |
| Christopher Plummer | Commodus |
| Anthony Quayle | Verulus |
| John Ireland | Ballomar |
| Omar Sharif | Sohaemus |
| Mel Ferrer | Cleander |
| Eric Porter | Julianus |
| Finlay Currie | Senator |
| Andrew Keir | Polybius |
| Douglas Wilmer | Niger |
| George Murcell | Victorinus |
| Norman Wooland | Virgilianus |
It was envisioned that Charlton Heston would be cast as Livius, but ultimately Stephen Boyd, who played opposite to Heston in Ben-Hur, got the part. It had been offered to Kirk Douglas, who turned it down.
Richard Harris was originally cast as Commodus, but he was replaced by Christopher Plummer. Harris would later play the role of Marcus Aurelius in the 2000 film Gladiator. According to his published diaries, Charlton Heston also refused the role, mainly because he had recently appeared in El Cid and 55 Days at Peking. (It is also rumored that Charlton Heston turned down any part in the movie due to bad blood between himself and Sophia Loren, stemming from El Cid.)
Alec Guinness was cast as Emperor Marcus Aurelius, and during the production he became good friends with Sophia Loren. On an evening out Sophia persuaded Alec to dance "The Twist" with her, which he did for the first time in his life. On the flight to Spain, Guinness was reading the script of the film when he was accosted by one of its authors. Guinness was asked if he was studying the lines, but he responded that he was rewriting the lines since he did not think much of them.
Sara Montiel was cast as Lucilla but she turned it down.
Sophia Loren, the heroine Lucilla, was the highest paid cast member at $1 million.
A novel based on the film is The Fall of the Roman Empire by Harry Whittington (Fawcett Publications, Inc. & Frederick Muller Ltd., 1964).
The first English-language DVD release was the basic theatrical release of the film, running for 2 hours 52 minutes, was first issued on DVD in 2004. A French DVD release, with sub-titles and/or French dubbing, and a full stereo soundtrack in both, had appeared in 2001. A deluxe edition containing two-disks and a limited collector's edition containing three disks were released on 29 April 2008, but they do not feature lost footage discovered too late to be included. This footage will be featured in an upcoming edition.[2] The Blu-ray Disc was released in the United Kingdom on May 16, 2011.
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